LDV92

21 JEAN-PHILIPPE COLLARD ∙ BILKENT SYMPHONY ORCHESTRA, EMIL TABAKOV Then you think there’s no room for another interpretation? No, I think there is, but the fact that the Volodos recital affected me so much means that his understanding of this music agrees with mine – all modesty aside! That being the case, I don’t have anything more to say about it. What is your favourite work by Scriabin? Probably the Sonata no.5. But it’s so difficult: it takes such a long time to absorb it before you can give your own vision of the piece . . . Finding the fingerings doesn’t help; it’s above all a long inner journey.