LDV89

27 And so the order of the tracks is of decisive importance . . . Adrien — Exactly. You need a perfect dramatic structure. When you play a Bach partita, you have a predefined sequence of musical phrases organised in beautifully balanced movements. Here, in just the same way, it was essential to find the ideal harmonic balance between one piece and the next and to ensure a sonic and emotional rationale would emerge. That was imperative if we were to create a harmonious trajectory through the different musical worlds. Does this also give the listener a certain freedom? Even when we’re listening passively, our brain is still unconsciously responding to stimuli. Is it really that crucial to know how and in what context people will listen to our album? For a fleeting moment, track by track, or with great concentration? But why not also while cooking or even driving? ADRIEN LA MARCA & DANAE DÖRKEN